Stéphanie Roland is a belgian / micronesian visual artist and filmmaker. Working between documentary and the imaginary, Roland makes films and installations exploring invisible structures, hyperobjects and deep time; from the ecological and political to the geologic and cosmic.
After graduating from La Cambre and following Hito Steyerl’s class in UDK Berlin, she completed
post-graduates studies at Fresnoy – Studio National. Her work is regularly shown at international level, her projects have been included in exhibitions from major institutions among these Louvre Museum, Benaki Museum, Botanique, Kampala International Art Biennale, Bozar and Wiels. Breda Photo, Belfast Photo festival, Encontros da Imagem, BIP Liège, MOPLA Los Angeles and Unseen are amongst the festivals dedicated to photography in which she took part. In 2017, she was selected in the group exhibition of the Antarctica Pavilion for the 57th Venice Biennale.
Her films have been screened in international festivals such as FID Marseille, Visions du Réel, ZINEBI, FEST New Directors / New Films and Rencontres Internationales Paris / Berlin, among others.
Her second short film, Podesta Island, wons the Alice Guy Prize, at FID Marseille.